| ID | Interpret | Skladba | Album | |
| 121. | Antagonizers / Empire Falls | Us & Them - Antagonizers | Antagonizers / Empire Falls |  |
| 122. | Mark Yoshimoto Nemcoff | Shadow Falls: Badlands - Chapter Sixteen | Shadow Falls: Badlands | |
| 123. | mark yoshimoto nemcoff | Shadow Falls: Badlands - Prologue Part 2 | Shadow Falls: Badlands | |
| 124. | mark yoshimoto nemcoff | Shadow Falls: Badlands - Chapter Three | Shadow Falls: Badlands | |
| 125. | Vicious Art | Komodo Lights | Fire Falls And The Waiting Water | |
| 126. | XYZR KX | Waltz (for Angkong) | falls off the curb, chump style. | |
| 127. | Vicious Art | Komodo Lights | Fire Falls And The Waiting Water | |
| 128. | Dead Men's Hollow | I'm Sitting on Top of the World | Live at the State Theatre, Falls Church, VA | |
| 129. | Grateful Dead | Jack Straw | 1982-04-14 - Glenns Falls Civic Center |   |
| 130. | Dead Men's Hollow | I'm Sitting on Top of the World | Live at the State Theatre, Falls Church, VA | |
| 131. | Guster | I Spy | 2006-08-09 High Falls Festival Site Rochester, NY | |
| 132. | CBC Radio Nfld. and Labrador: The Best of The St. John's Morning Show | nlstjohnmorn 2008-11-03 | St. John's Morning Show 11-03-2008 Brian Peckford and Churchill Falls | |
| 133. | Daniel Clancy | Indexing All the World's Books: Future Directions and Challenges for Google Book Search | Text & Image: from Book History to the Book is History (Feb2) | |
| 134. | David Rosenthal | If Books are History, How Can the Future Have a Past? | Text & Image: From Book History to the Book is History (Feb2) | |
| 135. | Burt, Hoffman, Krapp | Visual World questions | Text & Image: From Book History to the Book is History (Feb2) | |
| 136. | Cohen, Dimunation, Newman | Artifacts questions | Text & Image: From Book History to the Book is History (Feb2) | |
| 137. | Jane O. Newman | Forged Under Fire: The Fate of Libraries in Times of War | Text & Image: From Book History to the Book is History (Feb2) | |
| 138. | Donald Hoffman | The User-Interface Theory of Perception: Implications for the Evolution of Text and Image | Text & Image: From Book History to the Book is History (Feb2) | |
| 139. | Clancy, Davis, Franklin, Jain, Rosenthal | Future questions | Text & Image: From Book History to the Book is History (Feb2) | |
| 140. | Steve Franklin | Introduction to Future | Text & Image: From Book History to the Book is History (Feb2) | |
| 141. | Barbara Cohen | Introduction to Artifacts | Text & Image: From Book History to the Book is History (Feb2) | |
| 142. | Richard Burt | Border Skirmishes: Weaving Around the Bayeux Tapestry and Cinema | Text & Image: From Book History to the Book is History (Feb2) | |
| 143. | Mark Dimunation | The Thingness of the Digital Object: A Curatorial Dilemma | Text & Image: From Book History to the Book is History (Feb2) | |
| 144. | Blanchette, Cho, Gelfand | Signatures and Typography questions | Text & Image: From Book History to the Book is History (Feb2) | |
| 145. | Jackie Dooley | The Real Stuff: Why Original Artifacts Still Matter | Text & Image: From Book History to the Book is History | |
| 146. | Chandler, Dooley, Tanji | Collections questions | Text & Image: From Book History to the Book is History | |
| 147. | Sharon Block | Seeing History Response | Text & Image: From Book History to the Book is History | |
| 148. | Edward Ayers | Seeing History | Text & Image: From Book History to the Book is History | |
| 149. | Barbara Cohen | Conference closing remarks | Text & Image: From Book History to the Book is History | |
| 150. | Anne Burdick | Composite Reading: Text and/as Image | Text & Image: From Book History to the Book is History | |
